Saturday, February 4, 2012

Gibson Gear SEG-SA10 Coated Nickel Electric Guitar Strings, Medium

Gibson Gear SEG-SA10 Coated Nickel Electric Guitar Strings, Medium Review



Gibson Gear SEG-SA10 Coated Nickel Electric Guitar Strings, Medium Feature

  • Vacuum sealed packaging keeps strings fresh
  • Optimized for humbucker equipped guitars
  • Unique Magnetic Formulation
Gibson Special Alloy Humbucker Electric Strings .010-.046


Friday, February 3, 2012

Gibson Gear PMMH-015 Electric Guitar Part

Gibson Gear PMMH-015 Electric Guitar Part Review



Gibson Gear PMMH-015 Electric Guitar Part Feature

  • Authentic Gibson Replacement Part
  • Maintain the value of your Gibson Guitar by using only authentic Gibson replacement parts
  • Modern
  • Authentic Gibson Replacement Part, Modern
Gibson Modern Nickel Machine Heads with Metal Buttons


Wednesday, February 1, 2012

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Satin Ebony

Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Satin Ebony Review



Gibson Les Paul Studio 60s Tribute Electric Guitar, Worn Satin Ebony Feature

  • Slim Taper Neck
  • Dual P-90 soap bar single coil pickups
  • Limited Edition
  • gigbag included
  • Comes with adjustment literature, and documentation for the guitar's Limited Lifetime Warranty, along with Gibson's 24/7/365 Customer Service.
  • Limited Edition,Gigbag included
The Les Paul Studio 60s Tribute features a solid maple top on a lightweight chambered mahogany body, giving players added comfort as well as the familiar tonewood combination to produce that classic Les Paul sound. The vintage-style, worn finish gives the Les Paul Studio 60s Tribute the look of a well-played vintage guitar. The fast, slim-tapered 60s style quarter-sawn mahogany neck will feel great in your hands, while the instruments unbound body and neck are consistent with the popular Les Paul Studio line.The Les Paul Studio 60s Tribute boasts a pair of P-90 pickups delivering that powerful growling tone that youve come to expect from a Les Paul. This latter day classic boasts a Nashville Tune-o-matic bridge, stopbar tailpiece for maximum sustain and vintage-style Kluson machine heads provide tuning stability. Available in five classic Gibson worn finishes, including Ebony, Goldtop, Cherry Burst, White, and Honeyburst. A protective Gibson Gig Bag is included.Prepare to be blown away by this modern day classic. The Les Paul Studio 60s tribute will give you everything youre looking for: tone, playability, and comfort, all with an attractive price tag that wont break the bank. Get yours from Sam Ash Direct today with the security of our 45/60 day return/price protection policy.


Gibson Gear PPAT-500 Electric Guitar Part

Gibson Gear PPAT-500 Electric Guitar Part Review



Gibson Gear PPAT-500 Electric Guitar Part Feature

  • Authentic Gibson Replacement Part
  • 500K Audio Taper
  • Long Shaft
  • Maintain the value of your Gibson Guitar by using only authentic Gibson replacement parts
Gibson 500k Ohm Audio Taper with Long Shaft


Sunday, January 29, 2012

Gibson Custom ES-335 Dot Electric Guitar, Vintage Sunburst, Figured Maple

Gibson Custom ES-335 Dot Electric Guitar, Vintage Sunburst, Figured Maple Review



Gibson Custom ES-335 Dot Electric Guitar, Vintage Sunburst, Figured Maple Feature

  • It is 16 1/2 inches wide and it has a full 20 inch long body that is a full 1 3/4 inches deep.
  • It has a classic powerful hum-bucking pickups with two volume pots
  • Two tone pots,and a three way pickup select switch.
History speaks for itself. The ES-335 is one of the most important guitars of all time. Right from its introduction in 1958 as the world's first semi-hollowbody electric guitar it has been a mainstay of players eager to balance the gorgeous, round, mellow tones perfect for jazz and blues with the edge and sustain of a full-blooded solidbody.

Countless music legends have immortalized Gibson's ES-335.

Two '57 Classic humbucking pickups and stopbar tailpiece.

Grover kidney-shaped tuners.

Today the Gibson Custom Shop creates exacting duplicates of the ES-335 as it first left the Kalamazoo plant in 1958. That year just 267 were built, but the original vintage 335s grew steadily in popularity, peaking in 1967 thanks largely to Eric Clapton's high-profile use of a cherry ES-335 in the band Cream.

Body and Finishes
The Custom Shop ES-335 is available with many finish options, reflecting the color choices that have evolved over the model's 50-year history. In Satin finish, trans black and cherry colors are available, with a plain maple top, back, and rims. Ebony is available only in plain maple. With the figured maple top, back, and rims option, cherry, tri-burst, antique natural, light burst, and vintage sunburst colors are available. Wine red, trans brown, Beale Street Blue, and cinnamon burst finishes are also available in limited quantities, along with gold hardware, for figured and for plain maple models.

Regardless of color, the ES-335 retains its classic proportions: 16 1/2-inches wide, 20-inches long, and 1 3/4-inches deep. The neck is one-piece mahogany beneath a 22-fret rosewood fingerboard with pearloid inlays and a single-ply binding. Additionally, there's single-ply binding on the top and back.

Hardware
All hardware is nickel, and there's a classic ABR-1 bridge with a lightweight aluminum stopbar tailpiece. Neck length is 24 3/4 inches with a 1 11/16-inch nut width. Satin finish models have vintage style tulip shaped tuners, while figured and plain tops come with Grover kidney-shaped tuners. All Custom Shop ES-335s have powerful '57 Classic humbucking pickups, two volume pots, two tone pots, and a three-way pickup selector switch. They are strung with Gibson Brite Wire .010 strings and come safely nestled in a black levant case.

Famous Players
Spanning numerous decades, the ES-335 has been in the hands of countless musicians. From Chuck Berry's numerous performances to Alvin Lee's incendiary performance at Woodstock to Police's 2008 tour in NYC, the ES-335 has been the instrument of choice for any players seeking gorgeous, round, mellow tones, tempered with the edge and sustain of a full-blooded solidbody electric like the Les Paul.

Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can't do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not "seal" wood in an airtight shell--as a poly finish does--and allows the wood to breathe and age properly.

All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast. The figured-top Gibson Custom ES-335 Dot Electric Guitar is about the most versatile guitar you can own. A classic semi-hollowbody and dual '57 Gibson humbucker pickups combine to produce everything from full-bodied growls to singing sustain. The ES-335 Dot also boasts a thin-tapered 1960s neck and rosewood fingerboard (24-3/4" scale), body and neck binding, and nickel-plated hardware with Grover tuning heads, The Gibson Custom shop also gives this guitar an ABR-1 Tune-O-Matic bridge with stopbar tailpiece, separate Volume and Tone controls, and a 3-way pickup selector switch.


Saturday, January 28, 2012

Gibson SG Special Electric Guitar, Heritage Cherry - Chrome Hardware

Gibson SG Special Electric Guitar, Heritage Cherry - Chrome Hardware Review



Gibson SG Special Electric Guitar, Heritage Cherry - Chrome Hardware Feature

  • Mahogany neck with 22-fret rosewood fingerboard and acrylic dot inlays
  • Gibson 490R (neck) and 490T (bridge) humbuckers with three-way toggle, independent tone/volume
  • Gibson Tune-o-Matic bridge with stopbar tailpiece
  • Grover Kluson-style green-key tuning machines
  • Solid mahogany body with set-neck construction

Packing the same power and intensity as the SG Standard, but without all the trimmings, the Gibson's SG Special electric guitar retains the heart and soul of the SG--solid mahogany body and '50s rounded neck profile--while adding dot inlays, silk-screened logo, a pair of Gibson’s hot 490 humbuckers and a deluxe gig bag.

The Gibson SG Special in worn red
The Gibson SG Special in worn red. Click here for a larger image.

Key Features

'50s Rounded Neck Profile

No guitar neck profiles are more distinguishable than the neck profiles employed on the Gibson models of today. The more traditional '50s neck profile on the SG Special is the thicker, rounder profile, emulating the neck shapes found on the iconic 1958 and 1959 Les Paul Standards. The neck is machined in Gibson's rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.

Body detail
Click here for a larger image (black finish shown).

 

Headstock
Click here for a larger image.

 

Pickups
Gibson's 490 (R) Rhythm and (T) Treble Pickup

The mid to late 1960s saw the emergence of a very different type of music coming from the clubs of England. It was an interpretation of the blues that hadn't been heard before, and it was much harder, more rocking, and definitely louder than anything else before it. As such, this new genre's players were demanding more powerful amplifiers with increased volume outputs to satisfy their sonic explorations. This led to a call for a more versatile pickup that could split coils through a push/pull knob, and prevent microphonic feedback from occurring when the volumes were turned up to maximum levels.

Gibson answered this call with the introduction of the revolutionary 490T and 490R pickups ("T" for treble, and "R" for rhythm). The 490R is a humbucker with the tonal characteristics of an original PAF, with a slight increase in upper mid-range response. The 490T bridge pickup is calibrated to match the 490R, with pole pieces aligned a little further apart to accommodate the spacing of the strings at the bridge, which is different than the spacing of the strings at the neck.

Solid Mahogany Body

Probably the most central of all the SG Special's features is its solid mahogany body--lightweight, strong, with a thick, warm tone. The mahogany goes through the same rigorous selection process as all of Gibson's woods, and is personally inspected and qualified by Gibson's team of skilled wood experts before it enters the Gibson factories.

Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This ensures all woods are dried to a level of "equilibrium," where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, in addition to reducing the weight. It also helps with improving the woods' machinability and finishing properties. Consistent moisture content means that a Gibson guitar will respond evenly to temperature and humidity changes long after it leaves the factory.

Dot Inlays

Over the years, the classic dot inlay has been one of the more traditional features of many Gibson models, including the SG. A figured, swirl acrylic gives these inlays that classic "pearl" look. They are inserted into the fingerboard using a process that eliminates gaps and doesn't require the use of fillers.

Nitrocellulose Finish

This guitar features a nitrocellulose finish--one of the most labor-intensive elements of the guitar-making process--which dries to a much thinner coat than a polyurethane finish, meaning there is less interference with the natural vibration of the instrument, allowing for a purer tone.

A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can't do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not "seal" wood in an airtight shell--as a poly finish does--and allows the wood to breathe and age properly.

What's in the Box

Gibson SG Special electric guitar, Gibson Deluxe Gig Bag, and owner's manual.

Packing the same power and intensity as the SG Standard, but without all the trimmings, the SG Special has retained the heart and soul of the SG — the solid mahogany body and ‘50s rounded neck profile — and combined it with dot inlays, silk-screened logo, a pair of Gibson’s hot 490 humbuckers and a deluxe gig bag.


Friday, January 27, 2012

Gibson Les Paul Studio Electric Guitar,Worn Cherry Satin

Gibson Les Paul Studio Electric Guitar,Worn Cherry Satin Review



Gibson Les Paul Studio Electric Guitar,Worn Cherry Satin Feature

  • Newly Designed Mahogany Back with Maple Cap
  • '50s Rounded Neck Profile
  • Rosewood fingerboard with Figured Acrylic Trapezoid Inlays
  • Pair of Burstbucker Pro Pickups
  • Grover(TM) tuners with Kluson-Style Green Keys
The arrival of the Gibson Les Paul Studio Electric Guitar in 1983 offered guitarists all the essential elements of a Les Paul Standard, including a carved top and humbucking pickups. Its simple yet elegant design quickly helped it become the most popular model in the Les Paul Series. Cutting-yet-rich tone—the hallmark of the Les Paul—pours out of the 490R and 498T Alnico II magnet humbucker pickups, which are mounted on a carved maple top with a mahogany back. The faded finish models are equipped with BurstBucker Pro pickups and a mahogany top. The Les Paul Studio Electric Guitar includes a Gibson hardshell case (Faded and satin finish models come with a gig bag) and a limited lifetime warranty. Body and Finish A solid, carved maple top and chambered mahogany body give the Les Paul Studio the same tonewood combination that has been helping Les Paul Standards rock for nearly 60 years. And each of its four available nitrocellulose finishes makes for a stunning looking guitar, even while its no-frills approach eliminates body binding and pickguard. Mahogany is a medium-dense wood with excellent resonance and superior sustain, and it offers a rich, round, warm tone, but with plenty of high-end sheen and good mid-range presence. Add a solid maple top, and the guitar's tone is enhanced with added clarity, sustain and definition. The body's chambering also enhances its mellow acoustic resonance, and adds further air to the midrange content. Pickups Gibson's 498T and 490R pickups ("T" for treble, and "R" for rhythm) have the traditional characteristics of the original "Patent Applied For" pickups of the late 1950s, with a few upgrades. These pickups take advantage of wax potting, which does away with any air space inside the pickup, therefore lessening the chances of microphonic feedback. The result is a humbucker with the tonal characteristics of an original PAF, with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490R's ide


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