Gibson Custom Les Paul Custom Electric Guitar Ebony

Gibson Custom Les Paul Custom Electric Guitar Ebony Review

Gibson Custom Les Paul Custom Electric Guitar Ebony Feature

• Carved maple top Weight-relieved mahogany back Multi-ply white/black binding on top and back.

Gibson's Custom Shop produces some of the finest electric guitars on earth. Using the best materials money can buy, a staff of skilled luthiers reproduce some of the greatest Gibson guitars of the past and create stunning new instruments for players and collectors who demand the best.

Gibson Les Paul Custom Electric Guitar, Alpine White

Gibson Les Paul Custom Electric Guitar, Alpine White Review

Gibson Les Paul Custom Electric Guitar, Alpine White Feature

• Body: Carved Maple top, Mahogany back
• Neck/Profile: Mahogany/'59 Rounded Les Paul
• Binding: Multi-ply top, back, and headstock, single-ply fingerboard

The introduction of the Les Paul Model in 1952 provided the fundamental template for the design of what would eventually become the most revered stringed instrument in the world. Today's Les Paul Custom is based on the model from the mid-1950s, but with several modern appointments.

The Incomparable Les Paul Custom Guitar

History

Powerful 490R and 498T pickups and Nashville Tune-o-matic bridge and stopbar tailpiece.

22-fret ebony fingerboard outfitted with figured acrylic block inlays.

The introduction of the Les Paul Model in 1952 provided the fundamental template for the design of what would eventually become the most revered stringed instrument in the world. Yet Gibson president Ted McCarty and the guitar's namesake, Les Paul, also sought to introduce a "deluxe" version of the soon-to-be iconic model. The final design for the new Les Paul Custom was completed in early 1954, and the guitar made its official debut at the Chicago NAMM show in July 1954.

Initially, the goal had been to introduce the "deluxe" version in conjunction with the original 1952 Les Paul, yet Gibson's drive to achieve excellence resulted in several unexpected delays. The final product, however, would eventually become Gibson's top model in the original Les Paul line.

The 'Fretless Wonder'
The first version of the Les Paul Custom was nicknamed the "Fretless Wonder" for its low frets and "Black Beauty" for its rich, contrasting ebony color. It was also introduced at the same time as the Gibson Les Paul Junior and represented the ultimate in Gibson solid body design at the time, with an original price tag of just 5, which was 0 more than the regular Les Paul Model.

Aside from its obvious visual enhancements, the Les Paul Custom was the first Gibson guitar to offer the revolutionary ABR-1 Bridge, which was invented by McCarty. This pioneering achievement was a true revelation in intonation and remains one of the most revered and copied pieces of guitar hardware ever developed, setting a standard for simplicity and functionality that has never been bettered.

Other standard appointments included a thicker body design and seven-ply body binding on both the front and back of the guitar, along with a multi-bound headstock that featured a prominent five-piece split diamond patterned inlay of genuine mother of pearl--a design that still graces every Les Paul Custom made today.

Near-perfect Recreation
Today's Les Paul Custom is based on the model from the mid-1950s, but with several modern appointments. The body of the guitar is crafted with a hand-carved maple top, which is then fitted to a body made from a solid piece of mahogany with strategically routed holes to lessen the weight of the guitar, resulting in a Les Paul with enhanced acoustic qualities and improved resonance. The 24-3/4 inch scale length neck is also made from one solid piece of mahogany then topped by a 22-fret ebony fingerboard outfitted with figured acrylic block inlays, and given Gibson's traditional rounded profile. The pickups are Gibson's 490R in the neck position, which offers the tonal characteristics of the original PAFs, and the 498T in the bridge position, which swaps the 490R's Alnico II magnet for an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs.

Other appointments include Gibson's legendary Nashville Tune-o-matic bridge and stopbar tailpiece, metal tulip tuners, multi-ply white and black binding on both the top and back, gold hardware, and a 1 11/16" nut width. The Les Paul Custom is available in Antique White, Ebony, Heritage Cherry Sun Burst, Wine Red and Silver Burst, and each guitar comes with the standard Gibson Custom case, custom care kit, and certificate of authenticity.

Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can't do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not "seal" wood in an airtight shell--as a poly finish does--and allows the wood to breathe and age properly.

All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast. Here is the ultimate in a solid body guitar The Fretless Wonder The Incomparable Les Paul Custom Guitar, Gibson catalog, circa mid-1950sTodays Les Paul Custom is based on the model from the mid-1950s, but with several modern appointments. The body is crafted with a hand-carved maple top, which is fitted to a body made from a solid piece of mahogany with strategically routed holes to lessen the weight of the guitar, resulting in a Les Paul with enhanced acoustic qualities and improved resonance. The 24 -inch scale length neck is also made from one solid piece of mahogany then topped by a 22-fret ebony fingerboard outfitted with figured acrylic block inlays and given Gibsons traditional rounded profile. The pickups are Gibsons 490R in the neck position, which offers the tonal characteristics of the original PAFs, and the 498T in the bridge position, which swaps the 490Rs Alnico II magnet for an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. Other appointments include Gibsons legendary Nashville Tune-o-matic bridge and stopbar tailpiece, metal tulip tuners, multi-ply white and black binding on both the top and back, gold hardware and a 1 11/16 nut width. The Les Paul Custom is available in Antique White, Ebony, Heritage Cherry Sun Burst, Wine Red and Silver Burst, and each guitar comes with the standard Gibson Custom case, custom care kit and certificate of authenticity.HistoryThe introduction of the Les Paul Model in 1952 provided the fundamental template for the design of what would eventually become the most revered stringed instrument in the world. Yet Gibson president Ted McCarty and the guitars namesake, Les Paul, also sought to introduce a deluxe version of the soon-to-be iconic model. The final design for the new Les Paul Custom was completed in early 1954, and the guitar made its official debut at the Chicago NAMM show in July 1954.Initially, the goal had been to introduce the deluxe version in conjunction with the origi...

Gibson Custom ES-335 Dot Electric Guitar, Vintage Sunburst, Figured Maple

Gibson Custom ES-335 Dot Electric Guitar, Vintage Sunburst, Figured Maple Review

Gibson Custom ES-335 Dot Electric Guitar, Vintage Sunburst, Figured Maple Feature

• It is 16 1/2 inches wide and it has a full 20 inch long body that is a full 1 3/4 inches deep.
• It has a classic powerful hum-bucking pickups with two volume pots
• Two tone pots,and a three way pickup select switch.

History speaks for itself. The ES-335 is one of the most important guitars of all time. Right from its introduction in 1958 as the world's first semi-hollowbody electric guitar it has been a mainstay of players eager to balance the gorgeous, round, mellow tones perfect for jazz and blues with the edge and sustain of a full-blooded solidbody.

Countless music legends have immortalized Gibson's ES-335.

Two '57 Classic humbucking pickups and stopbar tailpiece.

Grover kidney-shaped tuners.

Today the Gibson Custom Shop creates exacting duplicates of the ES-335 as it first left the Kalamazoo plant in 1958. That year just 267 were built, but the original vintage 335s grew steadily in popularity, peaking in 1967 thanks largely to Eric Clapton's high-profile use of a cherry ES-335 in the band Cream.

Body and Finishes
The Custom Shop ES-335 is available with many finish options, reflecting the color choices that have evolved over the model's 50-year history. In Satin finish, trans black and cherry colors are available, with a plain maple top, back, and rims. Ebony is available only in plain maple. With the figured maple top, back, and rims option, cherry, tri-burst, antique natural, light burst, and vintage sunburst colors are available. Wine red, trans brown, Beale Street Blue, and cinnamon burst finishes are also available in limited quantities, along with gold hardware, for figured and for plain maple models.

Regardless of color, the ES-335 retains its classic proportions: 16 1/2-inches wide, 20-inches long, and 1 3/4-inches deep. The neck is one-piece mahogany beneath a 22-fret rosewood fingerboard with pearloid inlays and a single-ply binding. Additionally, there's single-ply binding on the top and back.

Hardware
All hardware is nickel, and there's a classic ABR-1 bridge with a lightweight aluminum stopbar tailpiece. Neck length is 24 3/4 inches with a 1 11/16-inch nut width. Satin finish models have vintage style tulip shaped tuners, while figured and plain tops come with Grover kidney-shaped tuners. All Custom Shop ES-335s have powerful '57 Classic humbucking pickups, two volume pots, two tone pots, and a three-way pickup selector switch. They are strung with Gibson Brite Wire .010 strings and come safely nestled in a black levant case.

Famous Players
Spanning numerous decades, the ES-335 has been in the hands of countless musicians. From Chuck Berry's numerous performances to Alvin Lee's incendiary performance at Woodstock to Police's 2008 tour in NYC, the ES-335 has been the instrument of choice for any players seeking gorgeous, round, mellow tones, tempered with the edge and sustain of a full-blooded solidbody electric like the Les Paul.

Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can't do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not "seal" wood in an airtight shell--as a poly finish does--and allows the wood to breathe and age properly.

All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast. The figured-top Gibson Custom ES-335 Dot Electric Guitar is about the most versatile guitar you can own. A classic semi-hollowbody and dual '57 Gibson humbucker pickups combine to produce everything from full-bodied growls to singing sustain. The ES-335 Dot also boasts a thin-tapered 1960s neck and rosewood fingerboard (24-3/4" scale), body and neck binding, and nickel-plated hardware with Grover tuning heads, The Gibson Custom shop also gives this guitar an ABR-1 Tune-O-Matic bridge with stopbar tailpiece, separate Volume and Tone controls, and a 3-way pickup selector switch.

Gibson Custom ES-335 Dot Electric Guitar, Light Burst, Figured Maple

Gibson Custom ES-335 Dot Electric Guitar, Light Burst, Figured Maple Review

Gibson Custom ES-335 Dot Electric Guitar, Light Burst, Figured Maple Feature

• Body: Figured or Plain Laminated Maple top back and rims, Maple center block
• Neck/Profile: Mahogany/1960 slim taper
• Fingerboard/Inlay: Rosewood/Dot
• Binding: Single-ply top, back and fingerboard

History speaks for itself. The ES-335 is one of the most important guitars of all time. Right from its introduction in 1958 as the world's first semi-hollowbody electric guitar it has been a mainstay of players eager to balance the gorgeous, round, mellow tones perfect for jazz and blues with the edge and sustain of a full-blooded solidbody.

Countless music legends have immortalized Gibson's ES-335.

Two '57 Classic humbucking pickups and stopbar tailpiece.

Vintage style tulip shaped tuners.

Today the Gibson Custom Shop creates exacting duplicates of the ES-335 as it first left the Kalamazoo plant in 1958. That year just 267 were built, but the original vintage 335s grew steadily in popularity, peaking in 1967 thanks largely to Eric Clapton's high-profile use of a cherry ES-335 in the band Cream.

Body and Finishes
The Custom Shop ES-335 is available with many finish options, reflecting the color choices that have evolved over the model's 50-year history. In Satin finish, trans black and cherry colors are available, with a plain maple top, back, and rims. Ebony is available only in plain maple. With the figured maple top, back, and rims option, cherry, tri-burst, antique natural, light burst, and vintage sunburst colors are available. Wine red, trans brown, Beale Street Blue, and cinnamon burst finishes are also available in limited quantities, along with gold hardware, for figured and for plain maple models.

Regardless of color, the ES-335 retains its classic proportions: 16 1/2-inches wide, 20-inches long, and 1 3/4-inches deep. The neck is one-piece mahogany beneath a 22-fret rosewood fingerboard with pearloid inlays and a single-ply binding. Additionally, there's single-ply binding on the top and back.

Hardware
All hardware is nickel, and there's a classic ABR-1 bridge with a lightweight aluminum stopbar tailpiece. Neck length is 24 3/4 inches with a 1 11/16-inch nut width. Satin finish models have vintage style tulip shaped tuners, while figured and plain tops come with Grover kidney-shaped tuners. All Custom Shop ES-335s have powerful '57 Classic humbucking pickups, two volume pots, two tone pots, and a three-way pickup selector switch. They are strung with Gibson Brite Wire .010 strings and come safely nestled in a black levant case.

Famous Players
Spanning numerous decades, the ES-335 has been in the hands of countless musicians. From Chuck Berry's numerous performances to Alvin Lee's incendiary performance at Woodstock to Police's 2008 tour in NYC, the ES-335 has been the instrument of choice for any players seeking gorgeous, round, mellow tones, tempered with the edge and sustain of a full-blooded solidbody electric like the Les Paul.

Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can't do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not "seal" wood in an airtight shell--as a poly finish does--and allows the wood to breathe and age properly.

All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast. The Gibson ES-335 Reissue Electric Guitar is about the most versatile guitar you can have. Classic semi-hollowbody design and dual '57 Gibson Classic humbuckers combine to produce everything from full-bodied growls to singing sustain. The ES-335 also features a thin tapered 1960s neck and rosewood fingerboard (24-3/4" scale), body/neck binding, nickel-plated hardware with Grover heads, Tune-O-Matic bridge with stopbar tailpiece, separate volume and tone controls, and a 3-way switch.

Gibson Custom 1960 Les Paul Plaintop Reissue VOS Electric Guitar Orange Fade

Gibson Custom 1960 Les Paul Plaintop Reissue VOS Electric Guitar Orange Fade Review

Gibson Custom 1960 Les Paul Plaintop Reissue VOS Electric Guitar Orange Fade Feature

• Top wood: Plain mapleFinsh: Orange FadeBack wood: Solid mahoganyBinding: Single-ply cream on topNeck construction: 1-piece mahogany with original-style truss rod routeFingerboard: 22-fret rosewoodInlays: Vintage trapezoid (accurate shape and color)Neck binding: Single-ply creamProfile: 1960 SlimTaperScale length/Nut width: 24-3/4"; 1-11/16"Pickups:Live BuckersControls: 2 volume, 2 tone, 3-way switchingHardware color: NickelBridge/Tailpiece: ABR-1/Aluminum stopbarTuner style: Vintage tulipCorrect

The Gibson Custom Shop 1960 Les Paul Reissue Electric Guitar is a beautiful Les Paul, and with its correct historical serial number, you'll want in your collection. In 1960, the Les Paul Standard still had the flame maple top, sunburst finish and specially spec'd Live Bucker pickups of its predecessors with an added slim-tapered neck for a decidedly different feel. This 1960 Les Paul Reissue has a plain top with Orange Fade finish while capturing the essence of the original guitar accurately and in great detail. This Limited Edition features an exact duplication of the neck pitch set to 1960 specs, and a rare Orange Fade finish.Using a combination of traditional hand craftsmanship and modern technology, the luthiers of the Custom Shop painstakingly reproduce the key elements that define cool, vintage musical instruments: stunning looks, flawless playability, and unsurpassed tone. A solid mahogany back, historically accurate long neck tenon for superior strength and sustain, period correct neck profiles, hardware and electronics, and 100% nitrocellulose lacquer are all part of this special Gibson Custom Shop guitar. Gibson includes a hardshell case with your 1960 Les Paul Plaintop Reissue.Gibson's Custom Shop produces some of the finest electric guitars on earth. Using the best materials money can buy, a staff of skilled luthiers reproduce some of the greatest Gibsons of the past and create stunning new instruments for players and collectors who demand the best.

Gibson Custom ES-335 Dot Electric Guitar, Cherry, Plain Maple

Gibson Custom ES-335 Dot Electric Guitar, Cherry, Plain Maple Review

Gibson Custom ES-335 Dot Electric Guitar, Cherry, Plain Maple Feature

• Faithful reproduction of the classic 1958 ES-335 crafted in Memphis, Tennessee
• Plain maple top, back and rims; Cherry finish
• Powerful Gibson '57 Classic humbucking pickups
• Nickel hardware and a classic ABR-1 bridge with a lightweight aluminum stopbar tailpiece
• Includes Gibson Custom Shop hardshell case and a Certificate of Authenticity

History speaks for itself. The ES-335 is one of the most important guitars of all time. Right from its introduction in 1958 as the world's first semi-hollowbody electric guitar it has been a mainstay of players eager to balance the gorgeous, round, mellow tones perfect for jazz and blues with the edge and sustain of a full-blooded solidbody.

Countless music legends have immortalized Gibson's ES-335.

Two '57 Classic humbucking pickups and stopbar tailpiece.

Grover kidney-shaped tuners.

Today the Gibson Custom Shop creates exacting duplicates of the ES-335 as it first left the Kalamazoo plant in 1958. That year just 267 were built, but the original vintage 335s grew steadily in popularity, peaking in 1967 thanks largely to Eric Clapton's high-profile use of a cherry ES-335 in the band Cream.

Body and Finishes
The Custom Shop ES-335 is available with many finish options, reflecting the color choices that have evolved over the model's 50-year history. In Satin finish, trans black and cherry colors are available, with a plain maple top, back, and rims. Ebony is available only in plain maple. With the figured maple top, back, and rims option, cherry, tri-burst, antique natural, light burst, and vintage sunburst colors are available. Wine red, trans brown, Beale Street Blue, and cinnamon burst finishes are also available in limited quantities, along with gold hardware, for figured and for plain maple models.

Regardless of color, the ES-335 retains its classic proportions: 16 1/2-inches wide, 20-inches long, and 1 3/4-inches deep. The neck is one-piece mahogany beneath a 22-fret rosewood fingerboard with pearloid inlays and a single-ply binding. Additionally, there's single-ply binding on the top and back.

Hardware
All hardware is nickel, and there's a classic ABR-1 bridge with a lightweight aluminum stopbar tailpiece. Neck length is 24 3/4 inches with a 1 11/16-inch nut width. Satin finish models have vintage style tulip shaped tuners, while figured and plain tops come with Grover kidney-shaped tuners. All Custom Shop ES-335s have powerful '57 Classic humbucking pickups, two volume pots, two tone pots, and a three-way pickup selector switch. They are strung with Gibson Brite Wire .010 strings and come safely nestled in a black levant case.

Famous Players
Spanning numerous decades, the ES-335 has been in the hands of countless musicians. From Chuck Berry's numerous performances to Alvin Lee's incendiary performance at Woodstock to Police's 2008 tour in NYC, the ES-335 has been the instrument of choice for any players seeking gorgeous, round, mellow tones, tempered with the edge and sustain of a full-blooded solidbody electric like the Les Paul.

Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can't do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not "seal" wood in an airtight shell--as a poly finish does--and allows the wood to breathe and age properly.

All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast. History speaks for itself. The ES-335 is one of the most important guitars of all time. Right from its introduction in 1958 as the worlds first semi-hollowbody electric guitar it has been a mainstay of players eager to balance the gorgeous, round, mellow tones perfect for jazz and blues with the edge and sustain of a full-blooded solidbody.HistoryHistory speaks for itself. The ES-335 is one of the most important guitars of all time. Right from its introduction in 1958 as the worlds first semi-hollowbody electric guitar it has been a mainstay of players eager to balance the gorgeous, round, mellow tones perfect for jazz and blues with the edge and sustain of a full-blooded solidbody.Today the Gibson Custom Shop creates exacting duplicates of the ES-335 as it first left the Kalamazoo plant in 1958. That year just 267 were built, but the original vintage 335s grew steadily in popularity, peaking in 1967 thanks largely to Eric Claptons high-profile use of a cherry ES-335 in the band Cream.Body and FinishesThe Custom Shop ES-335 is available with many finish options, reflecting the color choices that have evolved over the models 50-year history. In Satin finish, trans black and cherry colors are available, with a plain maple top, back, and rims. Ebony is available only in plain maple. With the figured maple top, back, and rims option, cherry, tri-burst, antique natural, light burst, and vintage sunburst colors are available. Wine red, trans brown, Beale Street Blue, and cinnamon burst finishes are also available in limited quantities, along with gold hardware, for figured and for plain maple models.Regardless of color, the ES-335 retains its classic proportions: 16 1/2-inches wide, 20-inches long, and 1 3/4-inches deep. The neck is one-piece mahogany beneath a 22-fret rosewood fingerboard with pearloid inlays and a single-ply binding. Additionally, theres single-ply binding on the top and back.HardwareAll hardware is nickel, and theres a classic ABR-1 bridge with a l...