Gibson SG Standard with Maestro VOS Electric Guitar, Faded Cherry

Gibson SG Standard with Maestro VOS Electric Guitar, Faded Cherry Review

Gibson SG Standard with Maestro VOS Electric Guitar, Faded Cherry Feature

• Solid mahogany body
• Distinctive twin cutaways - pointed horns
• Maestro vibrato tailpieces that was used in the early 1960s
• Figured acrylic trapezoid inlays

This SG Standard from Gibson Custom is a painstaking recreation of the original, offering you its distinct features and legendary tone decades later. The SG features a solid mahogany body with its distinctive twin cutaways/horns, nickel hardware, figured acrylic trapezoid inlays, single-ply creme fingerboard binding, and more--right down to the Maestro vibrato tailpiece.

An established favorite with completely new modern styling.

Maestro vibrato with lyre-engraved cover plate.

Burstbucker pickups deliver legendary tone.

History
Looking to increase the stagnant sales numbers of the Les Paul Standard models of the mid- to late-1950s, Gibson president Ted McCarty and his reputable team of luthiers and engineers set out to redesign the company's solid body guitar. The result was the introduction in 1961 of what is known today as the Gibson SG line. The first use of the name "SG" actually surfaced on a Gibson guitar in late 1959 with the introduction of the SG Special--a double cutaway model with rounded horns that had previously been listed as a Les Paul since 1955. In early 1961, however, the Les Paul models would undergo a radical change in design in an effort to improve their popularity, and Gibson's standing as a quality builder of electric solid body guitars. Fortunately, the redesigns would make a significant impact on Gibson's market share, albeit slowly at first. On average, about 2,120 SGs shipped per year from 1961 to 1970, with the numbers continuing to increase well into the 1970s. This trend eventually made the SG Gibson's most popular model--a distinction that still holds true today. From 1961 to 1963, the model was still known as the "redesigned" Les Paul Standard, although its namesake did not fully approve of the model's new look. This would eventually lead to the removal of Les Paul's name in 1963, in favor of a new name, the SG Standard.

Body
Short for "solid guitar," Gibson's SG Standards featured a much thinner body made from solid mahogany, with pointed horns, beveled edges, no body binding and distinctive twin cutaways that offered easier access to the guitar's higher frets, along with exceptional resonance, superior tone and greater sustain. The new models were also fitted with one of four vibrato tailpieces that were used in the early 1960s. The vibrato tailpiece that adorns today's SG Standard model from Gibson Custom is the Maestro version with lyre-engraved cover plate that became a standard appointment in 1963. The SG Standard model was also fitted with a new wing-shaped, 5-ply black pickguard, and its new 22-fret mahogany neck with rosewood fingerboard and slim-taper profile was quickly recognized as one of the fastest guitar necks in the world.

Near-perfect Recreation
Today, Gibson's SG line remains as one of the most popular and best-selling of all Gibson guitars, and the SG Standard from Gibson Custom is a painstaking recreation of this iconic instrument. Its distinct features and legendary tone are meticulously remade with all the precision and accuracy expected from Gibson Custom, including its solid mahogany body with twin cutaways, pointed horns, beveled edges and nickel hardware. Other standard appointments include its figured acrylic trapezoid inlays, single-ply créme binding along the fingerboard and a 1960s slim-taper neck profile. Its legendary tone comes from two of Gibson's finest pickups--a Burstbucker 1 in the neck position, and a Burstbucker 2 in the bridge. Together these pickups deliver all the power and bell-like humbucker tone of the original SG Standards of the early 1960s. Each SG Standard comes with a standard Gibson Custom case and certificate of authenticity. They are available in a V.O.S. or gloss finish, in either Faded Cherry, Classic White or TV Yellow. They can also be ordered with an original Maestro vibrato tailpiece, or with a lightweight aluminum stopbar.

Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can't do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not "seal" wood in an airtight shell--as a poly finish does--and allows the wood to breathe and age properly.

All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast. This Gibson Custom SG was a futuristic design when it was introduced in 1961, and it still has a modern look. Historically correct features include an ultra-thin, 2-horned body, the SG series addressed 2 of what Ted McCarty saw as the major issues of the now-retired Les Paul body style: weight and limited access to the upper treble register. The new body shape of the SG Standard was dramatically lighter than the old Les Paul and offered access to the entire fretboard. This amazing re-creation includes pickups and long neck tenon modeled precisely on the original. The VOS aging treatment makes it look exactly like a vintage original instrument that's been treated with loving care for its whole life with a slightly aged finish and hardware. Vintage Original Spec series instruments receive a special nitro-cellulose finish treatment yielding the patina of a gently-aged vintage guitar while handcrafting enhances comfort and playability. Each VOS model has a solid mahogany back; historically accurate long-neck tenon for strength and sustain; and period-correct neck profile, hardware, and electronics. A Little SG History In 1961, the Les Paul was redesigned with a thinner body and two sharp cutaway horns that making the upper frets more accessible while lowering production costs. The new guitar was popular, but Les Paul the guitarist did not like it and asked to have his name removed. Gibson renamed the model the "SG" which was short for "solid guitar". Though Les Paul's name was officially removed from the model in 1961, the plastic Les Paul nameplates (positioned between the rhythm pickup and fingerboard) were in abundance in the Gibson factory and SG models having these nameplates were built and sold by Gibson up to end of 1963. SGs have been the choice of world-class artists such as Pete Townsend, Eric Clapton, Tony Iommi, and Angus Young.

Gibson SG Standard Electric Guitar, Left Handed, Heritage Cherry

Gibson SG Standard Electric Guitar, Left Handed, Heritage Cherry Review

Gibson SG Standard Electric Guitar, Left Handed, Heritage Cherry Feature

• Traditional Rounded Neck Profile
• Gibson's 490R and 498T Pickups
• Solid Mahogany Body
• 22-Fret Rosewood Fingerboards
• Grover Kluson-style Green Key Tuners

Gibson's best-selling SG Standard shatters all perceptions of what an electric guitar can--and should--be. The slim, lightweight mahogany body; unmistakable twin cutaways, pointed horns and beveled edges; the fastest neck in the business; a pair of Gibson's screamin' humbucker pickups--all irresistible features coveted by some of the greatest guitar players of all-time. Various SG models have been played on-stage by the likes of Pete Townshend, Angus Young, Tony Iommi, Robby Krieger, Chris Robinson, Alex Lifeson, Derek Trucks, Elliot Easton, Jim James, Jeff Tweedy, Moby, Keith Urban, Nick Jonas, Rocco DeLuca. When will you add your name?

A New Classic for Rocking Through the Twenty-First Century

Available Finishes

A thicker, rounder, time-honored neck profile emulates the neck shapes of the iconic late '50s Gibson models.

Set-neck construction for better tone, better sustain, and no loose or misaligned necks.

Gibson's 490R AND 498T pickups for screaming tone.

Take your pick between two gorgeous, time-honored finishes--Heritage Cherry or Ebony--both of which are applied by hand in a process that demands several coats and many hours. Unlike a lot of of our competitors, who settle for a polyurethane finish, Gibson opts for a nitrocellulose finish that will encourage the natural vibration of the instrument for a purer tone. In addition, a nitro finish is very porous and actually gets thinner over time. That way your guitar's wood can breathe and age beautifully.

Exquisite Mother-of Pearl and Acrylic Inlays
Among other key distinctions, the SG Standard stands out from its no-frills kid sister, the SG Special, because of the fine mother-of-pearl Gibson logo and holly inlays that decorate its headstock. The SG Standard also boasts figured acrylic trapezoid inlays along its rosewood fingerboard.

'50s Rounded Neck Profile
No guitar neck profiles are more distinguishable than the neck profiles employed on the Gibson models of today. The more traditional '50s neck profile--found on the SG Standard--is the thicker, rounder, more time-honored profile, emulating the neck shapes of the iconic late '50s Gibson models. The neck is machined in Gibson's rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.

Set-Neck Construction
Like all classic Gibson guitars, the necks on Les Pauls and SGs are distinguished by one of the more traditional features that have always set them apart--a glued neck joint. Gluing the neck to the body of the guitar ensures a "wood-to-wood" contact, no air space in the neck cavity, and maximum contact between the neck and body, allowing the neck and body to function as a single unit. The result? Better tone, better sustain, and no loose or misaligned necks.

Gibson's 490R AND 498T Pickups
The mid to late 1960s saw the emergence of a very different type of music coming from the clubs of England. This new genre's players were demanding more powerful amplifiers with increased volume outputs to satisfy their sonic explorations. This led to a call for a more versatile pickup, and Gibson answered the call with the 490T and 490R pickups ("T" for treble, and "R" for rhythm), humbuckers with the tonal characteristics of an original PAF, but with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490's ideal complement. Taking the 490 one step further, the 498 swaps the Alnico II magnet to an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. The pole pieces on the 498T are also aligned a little further apart to accommodate the spacing of the strings at the bridge, which is different than the spacing of the strings at the neck.

Solid Mahogany Body
Probably the most central of all SG features is its solid mahogany body. The mahogany goes through the same rigorous selection process as all of Gibson's woods, and is personally inspected and qualified by Gibson's team of skilled wood experts before it enters the factories. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This ensures all woods are dried to a level of "equilibrium," where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and controls the shrinkage and warping of the woods, in addition to reducing the weight. It also improves the woods' machinability and finishing properties. Consistent moisture content means that the SG will respond evenly to temperature and humidity changes long after it leaves the factory. Like the landmark Les Paul before it, the SG Standard shattered all perceptions of what a guitar could be when it was first introduced in 1961. Today, it stands as one of the most popular and best-selling of all Gibson guitars. Its distinct twin cutaways, pointed horns, and beveled edges have made it one of the most inspired and iconic designs in the history of guitar-making. And not only is it one of the most eye-catching guitar designs, it is also one of the most functional and effective.

Gibson Pump Polish And Standard Polish Cloth Combo

Gibson Pump Polish And Standard Polish Cloth Combo Review

Gibson Pump Polish And Standard Polish Cloth Combo Feature

• Includes a polish cloth and polish in a pump bottle
• Genuine Gibson item AIGG-950

Pump Polish and Standard Polish Cloth Combo

Gibson Standard Style Picks (Medium)

Gibson Standard Style Picks (Medium) Review

Gibson Standard Style Picks (Medium) Feature

• Medium Gauge (0.70mm) Black Guitar Picks
• Bag of 72
• Standard 351 Shape

Gibson standard-style medium gauge guitar picks, pack of 72. Please note: we will ship Gibson products within the United States only.

Gibson Les Paul Standard Electric Guitar, Gold Top

Gibson Les Paul Standard Electric Guitar, Gold Top Review

Gibson Les Paul Standard Electric Guitar, Gold Top Feature

• Asymmetrical Neck Profile
• TonePros Locking Tune-o-matic Bridge and Locking Stopbar Tailpiece
• Locking Grover Tuners
• Enlarged Neck Tenon
• BurstBucker Pro Pickups

Improving a legend isn't easy, but it's happened. Introducing Gibson USA's 2008 Les Paul Standard--an elegant revision of a true classic, with upgrades and new features that make it the best Les Paul Standard ever produced. Based on consumer feedback and a drive to uphold and enhance the legacy of the Les Paul Standard, Gibson USA's 2008 model sets a new guitar benchmark for excellence and achievement. Play the new 2008 Les Paul Standard from Gibson USA and experience the evolution of the greatest electric guitar of all time.

The World's Most Legendary Guitar

New Asymmetrical Neck Profile
The 2008 Les Paul Standard debuts Gibson's newest neck profile--an asymmetrical design that makes it one of the most comfortable and playable necks ever offered on any guitar. The new ergonomically-correct profile is tapered, and designed to be thicker on the bass side, and thinner on the treble side, closely outlining the natural form of the hand as it grips the neck. The 2008 Standard necks are machined in Gibson's rough mill using wood shapers to make the initial cuts. Once the rosewood fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.

Gibson Burstbucker Pro pickups and chrome Tune-o-matic bridge.

Locking Grover tuners for tuning stability.

Custom-made, gold-plated potentiometers manufactured by Bourns.

Chambered Mahogany Body
Every new 2008 Les Paul Standard will benefit from Gibson's proven chambering technique, which leaves each guitar with perfect tone, balance, and weight. Prior to gluing the maple cap on top of the mahogany body, the expert craftsmen at Gibson USA carve out carefully mapped-out chambers in the body using a Computer Numeric Controlled (CNC) router. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.

TonePros Locking Tune-o-matic Bridge and Locking Stopbar Tailpiece
The Tune-o-matic bridge was the brainchild of legendary Gibson president Ted McCarty in 1954, setting the standard for simplicity and functionality that has never been bettered. The 2008 Les Paul Standard features TonePros locking Nashville Tune-o-matic in a chrome finish, which has saddle adjustment screws on the pickup side, and pre-notched saddles for quick installation. The chrome locking stopbar tailpiece is also from TonePros. These parts come with locking studs designed to secure both components firmly to the body so that there is no lean, yielding a great union between the strings and body which results in excellent tone and sustain.

Pickups: Gibson Burstbucker Pros
Gibson's drive to recapture the magic of the original "Patent Applied For" humbucker pickups of the 1950s culminated with the introduction of the Burstbucker line in the early 1990s. In 2002, Gibson followed up this innovative accomplishment with yet another breakthrough in pickup design--the Burstbucker Pro, designed specifically for the new Les Paul Standards. The Burstbucker Pro features an Alnico V magnet (instead of the Alnico II), which offers slightly higher output and allows preamps to be driven a little harder to achieve a more natural break-up. Like all Burstbuckers, the Burstbucker Pro has asymmetrical coils--true to the original PAFs--which supply a more open sound. The Burstbucker Pro Neck is wound slightly less than the original PAFs, while the Burstbucker Pro Bridge is slightly overwound for increased output. The Burstbucker Pro pickups are also wax potted to allow loud volume pressures with minimal feedback.

Revolutionary Plek Set Up
The 2008 Les Paul Standard is one of the first models from Gibson USA to utilize the revolutionary Plek machine in setting up the guitar. The Plek is a German-made, computer controlled machine that carefully measures each fret, along with the fingerboard height under each string, and then automatically dresses each fret, virtually eliminating string buzz and greatly improving the overall playability of the guitar. This pioneering process does in minutes what it takes a luthier several hours--sometimes even days--to accomplish. Every fret is accurately aligned, and the guitar is properly intonated, leaving the instrument "Plek'd" and amazingly playable.

Locking Neutrik Jack
Neutrik has been making superior electronic interconnection products since 1975, making them the logical choice to supply the performance safeguarding jack in Gibson's 2008 Les Paul Standard. Like many Neutrik products, the jack in the 2008 Les Paul Standard is manufactured from strong, high-grade thermoplastics and housed in a rugged diecast nickel shell. A retention spring inside the jack ensures optimum grip on any guitar cable, thus avoiding the chance of lost connection.

Locking Grover Tuners
The 2008 Les Paul Standard is outfitted with locking tuners from Grover, which deliver ease of use through a standard tuner and positive locking mechanism that securely locks each string in place. Simply insert each string through the string hole, turn the dial on the bottom of the tuner to lock the string, and begin tuning. Each string can be tuned to pitch in less than one complete revolution of the post. These Grover machine heads feature completely sealed components with an improved 18:1 tuning ratio.

Gold-Plated, Custom-Made Potentiometers by Bourns
The 2008 Les Paul Standard features all newly designed controls, including custom-made, gold-plated potentiometers manufactured by Bourns, one of the industry's leading makers of guitar electronics. These new potentiometers deliver accuracy and high reliability, while giving the Standard '08 a new level of sonic clarity and intensity never before seen in a Les Paul.

New Enlarged Neck Tenon
The 2008 Les Paul Standard sports a revolutionary enlarged neck tenon designed by Gibson's team of pioneering engineers. The expanded neck tenon features an innovative interlocking joint that allows the neck to be dropped into the body from the guitar's top side, as opposed to sliding the neck in from the rim. When the glue is added, a solid unyielding bond is created that maximizes the wood to wood contact between the neck and the body, offering increased stability and superb transfer of vibration for enhanced tone, improved sustain, and superior resonance. It is also the largest neck tenon in the history of the Les Paul. Improving a legend isn’t easy, but it’s happened. Introducing Gibson USA's 2008 Les Paul Standard Gold Top—an elegant revision of a true classic, with upgrades and new features that make it the best Les Paul Standard ever produced. Based on consumer feedback and a drive to uphold and enhance the legacy of the Les Paul Standard, Gibson USA’s 2008 model sets a new guitar benchmark for excellence and achievement. Play the new 2008 Les Paul Standard from Gibson USA and experience the evolution of the greatest electric guitar of all time.

Standard Guitar Mount with Gibson Guitar Pick Black

Standard Guitar Mount with Gibson Guitar Pick Black Review

Standard Guitar Mount with Gibson Guitar Pick Black Feature

• The Gibson Guitar pick creates a one of kind display
• Two hole attachment
• Mounting hardware included
• Made of heavy duty material
• Easy Installation

Imagine being able to have your guitar on display and the mount looks great when the guitar is off. What a nice idea. The Gibson Guitar Pick will make the mount have that one of a kind dimension and make it pop! This is a guitar mount way above what is on the market today. This is a simple design. Made of 5 " X 1 1/2" black thermal plastic and black vinyl caps to protect your instrument. A Gibson Guitar pick attached. A two hole mount attachment that mounts securely in a matter of minutes with all hardware included. Handcrafted and made in the USA. Get your guitar out where it can be displayed.
A Kirk Rogers Design & Invention